about the author

Julian Vigo is a scholar, filmmaker, artist, dj, yogi, and activist who works on public space and performance, disappeared bodies, cultural violence, and social hypertrophy. Having lived all over this planet, she has created work which is informed as much by the books she has read and the movies she has seen as the people with whom she has worked and dialogued. Julian Vigo is a specialist in contemporary ethnography, cultural studies, cinema, postcolonial theory, and media and gender studies.  She has been a professor at universities across the world where she has taught anthropology, comparative literature, performance studies, cultural studies, critical theory, philosophy of science, postmodernism, and gender studies.

Julian Vigo is currently finishing two manuscripts, one dealing with disappearance in the Americas (New York and Buenos Aires) and the other on “cultural violence” in which she examines the role of “violence” in the restructuring of urban space in Fez (Morocco) and studies the role of shahid (witness, martyr) in Palestine through actions of the suicide bomber and the definitions of her death and life, post-mortem. Her latest books are Performative Bodies, Hybrid Tongues: Race, Gender, and Modernity in Latin America and the Maghreb (2010) and Earthquake in Haiti: The Pornography of Poverty and the Politics of Development (2015).

In addition to her academic research and pedagogy, Julian Vigo is also a dj, an installation and video artist and has actively been making ethnographic film and video in Latin America, the Middle East, the Maghreb, Europe and the United States since 1988. She is currently editing a film on public mourning and the life and death of Michael Jackson, To Neverland and Back (2018).